
The Lonely Palette
Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and anything and everything else that will make it as neat to you as it is to her. For more information, visit thelonelypalette.com | Twitter @lonelypalette | Instagram @thelonelypalette.
Episodes


Ep. 67 - Cy Twombly's "Second Voyage to Italy (Second Version), 1962"
Official Trailer: The Lonely Palette's Upcoming Season
The Lonely Palette returns for a new season, continuing its mission to democratize art history by examining individual objects through a multisensory lens. The upcoming episodes feature a diverse range of subjects, including Lawren Harris’s icy landscapes, the bulbous textures of Korean sculpture, and the fleshy, "squi...

Official Trailer: The Lonely Palette's Upcoming Season

Bonus - Introducing "The Rabbis Go South"

BonusEp. 18 - A TLP Announcement! And Introducing The Rabbis Go South

Ep. 66 - Bringing Monuments Home (from PRX's Monumental)

Ep. 66 - Bringing Monuments Home (from PRX's Monumental)

BonusEp. 17 - The Hub & Spoke Radio Hour

Bonus - The Hub & Spoke Radio Hour

TLP Interview with Lucy R. Lippard, Art Writer

BonusEp. 16: Tamar Avishai interviews Lucy R. Lippard, Art Writer

TLP Interview with Prudence Peiffer, Author & Content Director, MoMA

BonusEp. 15: Tamar Avishai interviews Prudence Peiffer, Author and Content Director, MoMA

Bonus - The Lonely Palette Reads Tom Wolfe's The Painted Word

BonusEp. 14: The Lonely Palette Reads Tom Wolfe's The Painted Word

Bonus - The Lonely Palette Reads Giorgio Vasari on Sandro Botticelli

BonusEp. 13: The Lonely Palette Reads Giorgio Vasari on Sandro Botticelli

Ep. 65 - Sandro Botticelli's "The Birth of Venus" (1485-86)

Ep. 65 - Sandro Botticelli's "The Birth of Venus" (1485-86)
Sandro Botticelli’s The Birth of Venus functions as an ethereal portal to Neoplatonic ideals, where physical beauty serves as a catalyst for contemplating divine, abstract truths. While the painting famously ignores the rigorous anatomical and perspectival standards of the High Italian Renaissance, it succeeds as a poe...
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