The New Yorker Radio Hour

Salsa Star Rubén Blades on Acting, Politics, and the Power of Music

Elaine Pagels on “The Historical Mystery of Jesus”

The Company Behind the A.I. Boom

Graham Platner Is Staying in the Race

Poetry as a Cistern for Love and Loss

Leon Panetta on the Trump Administration’s Venezuelan Boat Strikes

Marshall Curry and Judd Apatow on “The New Yorker at 100,” a Documentary

Chloé Zhao on “Hamnet,” Her Film About William Shakespeare’s Grief

Chloé Zhao discusses her upcoming film, Hamnet, which explores the life of William Shakespeare as a young man grieving the loss of his son. Zhao was initially hesitant about the project until Paul Mescal's involvement and the book's detailed internal landscapes drew her in. The natural world, particularly forests, play...

Senator Adam Schiff on How the Trump Administration Targets Its Opponents

Noah Baumbach on “Jay Kelly,” His New Movie with George Clooney

Ian McEwan on Imagining the World After Disaster

In The New Yorker Radio Hour, David Remnick interviews British author Ian McEwan about his new novel, "What We Can Know," a work of speculative fiction set in a dystopian future. McEwan discusses the thematic concerns and inspirations behind the book, including moral duties to the future, a long poem, and the Long Now ...

Why Is Leaving MAGA So Difficult?

Senator Chris Van Hollen on the Epstein Files, and the Leadership Crisis in Washington

Rewriting Art History at the Studio Museum in Harlem

Andrew Ross Sorkin on What 1929 Teaches Us About 2025

Patti Smith on Her Memoir “Bread of Angels,” Fifty Years After Her Début Album, “Horses”

What Resistance Means to Governor J. B. Pritzker

From In the Dark: “Blood Relatives”

Jon Stewart on the Perilous State of Late Night and Why America Fell for Donald Trump

It’s Not Just You: The Internet Is Actually Getting Worse