Writing food memoirs requires navigating the tension between personal vulnerability and the broader political implications of domestic and professional labor. Angela Hui, author of *Takeaway*, and Rebecca May Johnson, author of *Small Fires*, reframe food as a vital site for exploring migration, racism, and gendered expectations rather than merely a culinary subject. Both authors emphasize that memoir writing is an inherently exposing process, often forcing a confrontation with past trauma and the sanitized narratives typically associated with food writing. By documenting the repetitive, often invisible labor of the kitchen—whether in a family-run Chinese takeaway or a domestic setting—these works challenge the capitalist focus on novelty. Ultimately, these memoirs serve as interventions into how society values labor, proving that the kitchen is a complex space where identity, power, and personal history intersect.
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