Watch the Q&A session here: https://youtu.be/9tcRtGh7hkM

This lecture looks at debates and dialogues that characterise realist photography in Apartheid South Africa (1948-1994) examining the tensions between advocacy, propaganda and the ‘struggle’ on the one hand and the poetics of everyday life on the other. Figures from Ernest Cole and David Goldblatt to Zanele Muholi and Lebohang Kganye will be examined.

This lecture was recorded by Tamar Garb on 25th March 2025 at Barnard's Inn Hall, London.

Tamar Garb is Durning Lawrence Professor in the History of Art. Her research interests have focused on questions of gender and sexuality in European art as well as on post-apartheid culture, contemporary art, and the history of lens-based practices in Africa.

Key publications include Sisters of the Brush: Women’s Artistic practices in Late Nineteenth Century Paris (1992), Bodies of Modernity: Figure and Flesh in Fin de Siecle France (1996) and,The Painted Face: Portraits of Women in France, 18145-1914 (2007). Her Africa related curatorial projects include: Figures and Fictions: Contemporary South African Photography (V&A, 2011); Distance and Desire: Encounters with the African Archive (Walther Collection, 2015); William Kentridge and Vivienne Koorland: A Conversation in Letters and Lines (Fruitmarket Gallery, Edinburgh, 2016) and, Beyond the Binary: Santu Mofokeng and David Goldblatt (Walther Collection 2023)

The transcript of the lecture is available from the Gresham College website: https://www.gresham.ac.uk/watch-now/documentary-photography-apartheid-south-africa

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Documentary Photography in Apartheid South Africa - Tamar Garb

Gresham College Lectures

Documentary Photography in Apartheid South Africa - Tamar Garb