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NEWS

ECCC - Tell us how it was, ALEX!?!?!?
ECCC ’25: James Tynion IV and Michael Walsh on Exquisite Corpses
Emma Frost solo book, throwback to days as White Queen within the Hellfire Club
Jonathan Hickman’s 4-issue ‘Imperial’ details revealed
'Giant-Size Age of Apocalypse scores Jeph Loeb and Simone Di Meo backup
Marvel announces ‘Avengers Academy: Assemble’ for June 2025
Marvel reveals June 2025 'One World Under Doom' tie-in details
'New Thunderbolts*' matches MCU with asterisk titled new series
Deadpool celebrates milestone #350 with new villain and more
Marvel teases shocking Wolverine reveal coming in 'Wolverine' #400
New Ultimates Universe covers and stories revealed for June 2025
DC reveals 'DC Pride 2025' anthology details and Pride plans

Our Top Books of the Week

Dave:

Assorted Crisis Events’ #1 (Deniz Camp, Eric Zawadzki)
Star Trek: Lower Decks #5 (Ryan North, Jack Lawrence)
1. Just want to mention it… Amazing Spider-Man #69 (Joe Kelly, Ed Mcguinness)

Alex:

X-Men #13 (MacKay, Netho Diaz, Sean Parsons)
Dark Pyramid #1 (MadCave) W: Paul Tobin, A: P.J. Holden

Standout KAPOW moment of the week:

Alex - X-Men #13, psychic battle between Quentin & Xavier

Dave - All-New Venom #4 (Al Ewing, Carlos Gomez)

TOP BOOKS FOR NEXT WEEK

Alex: Absolute Flash #1, Crush Depth #1
Dave: The Deviant #9 (James Tynion IV, Joshua Hixson)

JUDGING BY THE COVER JR.

Dave: Nightwing #124 (Jorge Fornes Card Stock Cover)
Alex: One World Under Doom #2 (Thing losing his powers??)

Interview: Deniz Camp talks about Assorted Crisis Events, Ultimates, and Absolute Martian Manhunter.

Assorted Crisis Events explores a world where time is breaking down, leading to unpredictable scenarios. What inspired you to delve into the concept of time's fragility and its impact on everyday life?
The anthology format allows for diverse storytelling. How do you approach crafting each issue to ensure it offers a unique yet cohesive experience within the overarching narrative?
Ashley, introduced in issue #1, is a relatable character amidst the chaos. Can you share more about her development and the role she plays in grounding the story?
Collaborating with artists like Eric Zawadzki brings a distinct visual style to the series. How does his artistic vision complement your storytelling, and what has the collaborative process been like?
The series blends various genres and time periods. How do you balance these elements to maintain narrative coherence while keeping readers engaged?
In previous discussions, you've mentioned the importance of density in storytelling. How do you ensure that each page is packed with meaningful content without overwhelming the reader?
The theme of normalizing chaos is prevalent in the series. How does this reflect contemporary societal issues, and what message do you hope readers take away from it?
If you could witness any historical event firsthand, which one would you choose, and how might it inspire a future story in Assorted Crisis Events?
You've crafted 20th Century Men and The Ultimates. How has your experience with those projects influenced your approach to Assorted Crisis Events?
How is it juggling multiple books?
In The Ultimates #10, the Red Skulls—a neo-Nazi group—appropriate the Punisher's iconic skull logo. What motivated you to intertwine these specific symbols, and how do you perceive their combined significance within the narrative?
Given your focus on individual character narratives, are there contemporary societal issues you aim to explore through specific characters in future issues?
In Absolute Martian Manhunter, you've described the series as a "radical reinvention" of the character, blending psychological horror with superhero elements. Could you elaborate on the creative challenges and freedoms you've encountered in crafting this narrative within DC's Absolute Universe?

Martian Manhunter, time crises, and the future of superheroes: A conversation with Deniz Camp

AIPT Comics

Martian Manhunter, time crises, and the future of superheroes: A conversation with Deniz Camp