Visit our Patreon page to see the various tiers you can sign up for today to get in on the ground floor of AIPT Patreon. We hope to see you chatting with us on our Discord soon!

NEWS

Robert Kirkman and Dan Mora take the wheel on Transformers with issue #25
Lee Bermejo kicks off 25 'Amazing Visions' variant cover series ending with #1000
Marvel fleshes out 'Marvel Zombies: Red Band' due out September 2025
Marvel’s ultimate universe explodes in October 2025, and the Maker is back
Vault unveils ATHANASIA, a haunting superhero graphic novel from Daniel Kraus and Dani
Werewolves clash with Vikings in Image Comics’ new horror series 'Viking Moon'
New series 'Tales of the Teenage Mutant Ninja Turtles' launches October 2025

Our Top Books of the Week

Dave:

Tramps of the Apocalypse #1 (Alice Darrow)
Absolute Martian Manhunter #4 (Deniz Camp, Javier Rodriguez)

Chris:

News from the Fallout #1 (Chris Condon, Jeffrey Alan Love)
Feral #14 (Tony Fleecs, Tone Rodriguez, and Trish Forstner)

Standout KAPOW moment of the week:

Chris: Green Arrow #25 - Chris Condon, Montos

Dave: Ultimate Spider-Man #18 (Jonathan Hickman, Marco Checchetto)

TOP BOOKS FOR NEXT WEEK

Chris: Gehenna: Naked Aggression #1 (Patrick Kindlon, Maurizio Rosenzweig)
Dave: Captain America #1 (Chip Zdarsky, Valerio Schiti)

JUDGING BY THE COVER JR.

Dave: Deadpool Kills the Marvel Universe One Last Time #4 (Davide Paratore)
Chris: Godzilla vs. Thor #1 (Aaron Kuder Main Cover)

Interview: Ethan Parker and Griffin Sheridan, covering their upcoming Godzilla: Escape the Deadzone #1, Blink and You’ll Miss It #1, and Bring on the Bad Guys: Green Goblin (July 02, 2025) - June 30th

Let’s start with Bring on the Bad Guys: Green Goblin — Norman Osborn is such a rich, terrifying character. What part of his history were you most excited to dig into, and what makes your take on the Goblin stand out?
Norman’s been a villain, a businessman, a politician, and sometimes even a twisted version of a hero. How do you approach writing a character who’s constantly shifting between personas?
Your Godzilla: Escape the Deadzone series introduces a walled-off wasteland, kaiju lore, and the myth of a half-man, half-kaiju survivor. How did you approach building suspense and worldbuilding in this isolated, almost post-apocalyptic setting?
Writing Godzilla means balancing spectacle with humanity. What’s your approach to telling grounded stories in the shadow of kaiju-level destruction?
Now onto Blink and You’ll Miss It — the tone and premise feel so personal and unique. How did this story come together, and what inspired you to tell a love story with a sci-fi twist?
There’s a big emotional core in Blink and You’ll Miss It, but also some wild time-manipulation ideas. How did you balance the heart with the high-concept hook?
You’re juggling three very different projects — a Marvel villain origin, a giant monster epic, and a bittersweet romantic mini. How do you shift your mindset between such wildly different tones and genres?
All three books deal with identity in some form — Norman’s fractured psyche, a couple navigating time, and characters caught between humanity and monsters. Is that a theme you’re consciously exploring across your work, or something that just naturally emerges?
Fun one to wrap things up: If the Green Goblin got his own kaiju-sized glider and showed up in the Godzilla universe… how long would he last, and which monster would absolutely wreck him first?

From Godzilla to Green Goblin: Ethan Parker & Griffin Sheridan’s comic book takeover

AIPT Comics

From Godzilla to Green Goblin: Ethan Parker & Griffin Sheridan’s comic book takeover