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NEWS

Marvel’s Stormbreakers unleash wild new costumes for your favorite heroes
Black Panther goes cosmic in explosive new Marvel era after Hickman’s 'Imperial' #4
Ultimate Universe Preview: 'Ultimate Endgame' kicks off in December with 5 issues, new story details, and secret blind bags
Steve Ditko’s ‘Amazing Spider-Man’ gets an Act 4 Artist’s Edition in 2026
Super Sonic Monthly: Your fast track to IDW’s Sonic comics
'TMNT' #13 kicks off a new era with Blind Bag Variants and a deadly new villain
Dynamite Entertainment updates Vampirella Kickstarter pricing for blind bags and more
Liam Sharp brings back 'Spawn: The Dark Ages' with a gritty new miniseries
Popeye sets sail for 'I Hate Fairyland' in the wildest crossover yet
Comics legends tease Lex Luthor’s iconic suit for James Gunn’s sequel 'Man of Tomorrow'
DC returns to NYCC 2025 with panels, exclusives, and a celebration of 100 Years

Our Top Books of the Week

Dave:

Amazing Spider-Man #11 (Various)
Ultrawild: An Audacious Plan for Rewilding Every City on Earth OGN (Steve Mushin)

Chris:

Blood Honey #1 (Sean Peacock)
TexArcanum #2 (Christopher Monfette, Miguel Martos)

TOP BOOKS FOR NEXT WEEK

Chris: Toxic Crusaders #1 (Matt Bors, Tristan Wright)
Dave: Absolute Batman #12 (Scott Snyder, Nick Dragotta)

JUDGING BY THE COVER JR.

Dave: Eddie Brock: Carnage #8 (Pete Woods Cover)
Chris: Powers 25 #1 (David Mack Variant)

Interview: Everything Dead & Dying #1 out September 3, 2025 - Jacob Phillips, Tate Brombal

This is your first collaboration together—what drew you both to Everything Dead & Dying, and what made now the right time to tell this story?
Jacob, you’ve built a reputation for capturing grit, loneliness, and eerie atmosphere in books like That Texas Blood and Newburn. What visual tone were you aiming for with Everything Dead & Dying?
The book has been described as The Last of Us meets Yellowstone. How did you strike a balance between horror, western, and emotional drama without tipping too far into genre cliché?
How did you both approach the undead in this world? Are they metaphors, monsters, or something else entirely?
The series clearly explores themes of love, loss, and survival. Was there a particular moment or relationship in the book that was especially personal or meaningful for either of you to write or draw?
Tate, this marks your Image Comics debut. What freedoms—or challenges—did working at Image bring compared to your previous work in the DC and BOOM! Worlds?
You’re working with an amazing lineup of variant artists, including Sean Phillips and Joshua Hixson. How involved were you in curating that roster, and what do those covers add to the tone of the series?
With just five issues to tell the story, how are you approaching pacing and world-building to ensure it still hits with emotional and thematic weight?
If you had to live with one undead pop culture character as your roommate—zombie, vampire, ghost, whatever—who would it be and why? Bonus points if you argue over the dishes.

Blind bag bonanza and Jacob Phillips & Tate Brombal unpack 'Everything Dead & Dying'

AIPT Comics

Blind bag bonanza and Jacob Phillips & Tate Brombal unpack 'Everything Dead & Dying'