Nathan Lane is being tested (and he loves it)

Nathan Lane reflects on his evolution from a comedic stage performer to a dramatic actor, anchored by his recent Tony-nominated portrayal of Willy Loman in *Death of a Salesman*. This performance marks a significant shift in his career, mirroring his earlier pivot in *The Iceman Cometh* to challenge audience perceptions. Lane discusses his difficult childhood in Jersey City, where his father’s alcoholism and his own early affinity for theater shaped his artistic identity and his understanding of the American dream. The conversation highlights the psychological complexity of Loman, a man desperate to maintain a facade of success. Additionally, rock critic Ken Tucker reviews new music from Ella Langley, Robyn, and Alison Russell, examining how these artists translate personal heartache and discontent into vivid, resonant musical expressions that transcend simple sorrow.