In this week’s episode of “Beyond the Verse,” the official podcast of PoemAnalysis.com and Poetry+, Maiya and Joe turn their attention to Langston Hughes, one of the most influential voices of the Harlem Renaissance.

They begin with Hughes’s life, from his birth in Missouri in 1901 to his travels across Africa and Europe, his brief stay in Paris, and the release of his groundbreaking collection The Weary Blues in 1926. Along the way, they place him in the wider context of the Harlem Renaissance, the Great Migration, and America’s racial and cultural shifts across the twentieth century.

The discussion moves through some of Hughes’s most powerful works, beginning with 'The Negro Speaks of Rivers,' where Hughes connects African American identity to ancient rivers and collective history. Maiya and Joe consider how Hughes reclaims narrative authority, blending personal and communal voices with timeless imagery. They also explore 'Mother to Son' and its extended metaphor of climbing broken stairs, showing resilience in the face of hardship. From there, they turn to 'I, Too' as a direct response to Walt Whitman, a bold claim of belonging in America, and finally 'Harlem (A Dream Deferred),' a sharp meditation on frustration, deferred hope, and the elusive promise of the American Dream.

By the end, the episode shows how Hughes’s poetry continues to resonate, influencing writers, musicians, and movements from Baldwin and Hansberry to Kendrick Lamar. His work stands as both a product of its time and a voice that continues to shape how America understands itself.

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Blood, Sweat & Song: Langston Hughes in Four Poems

Beyond the Verse