What made Louis Armstrong’s music so groundbreaking? And after he broke that ground, why were later generations of Black people reluctant to embrace him?

From his renditions of “On The Sunny Side Of The Street” to “What A Wonderful World,” trumpeter and vocalist Louis Armstrong is cemented in history as a jazz icon. But for many Black people – especially those in the mid-twentieth century – his presentation was degrading and received as minstrelsy for white audiences. Filmmaker Sacha Jenkins traces Amstrong’s complicated history as a Black artist in his most recent project and documentary, “Louis Armstrong’s Black & Blues.” He joins host Kai Wright to discuss Armstrong’s relationship with music and the fans that struggled to embrace him.

Companion listening for this episode:

What Does Black Ambition Sound Like? (12/27/2021)

James Reese Europe was already famous when he enlisted to fight in World War I. But the band he took to the frontlines – as part of the famous 369th Infantry Regiment – thrust him and Black American music onto the global stage. Jazz pianist Jason Moran sits down at the piano to show Kai how Europe’s band changed music, and how jazz carries the resilient sound of Black history and ambition in America.

“Notes from America” airs live on Sunday evenings at 6pm ET. The podcast episodes are lightly edited from our live broadcasts. To catch all the action, tune into the show on Sunday nights via the stream on notesfromamerica.org or on WNYC’s YouTube channel.

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Notes from America airs live on Sundays at 6 p.m. ET. The podcast episodes are lightly edited from our live broadcasts.

The Not-So-Sunny Side of Louis Armstrong’s Legacy

Notes from America with Kai Wright