How can shifting narrative point of view drive your sequences?

Born out of isolation madness, this episode is an edited version of Draft Zero's first YouTube livestream. Stu and Chas both watched KNIVES OUT and - together with our listeners - broke down each sequence and turning point by reference to what the audience knows in relation to the characters (aka narrative point of view). hey then answer listener questions on KNIVES OUT and much else besides live on air.

If you want to listen in on the next live recording, find details here: https://www.patreon.com/posts/dz-livesolation-35770237 and/or subscribe to us on YouTube via http://www.draft-zero.com/YouTube

If you want to watch along instead of listen, the video of the episode can be found here: https://youtu.be/EsqoCVu-oX8?t=188

As always: SPOILERS ABOUND

Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3.

RUNNING ORDER:

00:05:19:23 - Summary of narrative point of view and audience expectations
00:10:12:23 - Exploring some of Rian Johnson's word craft
00:14:15:11 - Micro POV shifts in the interview montage
00:21:16:22 - How POV shifts turn the film
00:47:22:02 - When to let your foot off the plot gas
00:59:46:20 - Backmatter / Listener Questions

EPISODE LINKS

DZ RELATED EPISODES:

Listen: DZ-46: Structure & Point of View
Listen: DZ-05: Shifting audience point of view and heightened emotions

Many thanks to all our patrons but particularly to Theis, Jesse, Jack, Chris, Khrob, Sandra, Nick, and Matteo. They're good humans.

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DZ-68: Using POV to structure KNIVES OUT

Draft Zero: a screenwriting podcast