How do you deliver on the emotional contract of a genre while surprising the audience?

In tackling this enormous topic, Stu and Chads enlist professional TV writer and director for Kodie Bedford, someone who has somehow managed to defy genre pigeon-holing by writing mystery, comedy and vampire shows.

The three of them look at GET OUT, PROMISING YOUNG WOMAN and THE INVISIBLE MAN (with reference to PARASITE, JOHN WICK, TAKEN, KNIVES OUT and more) to see what tools the writers have used to deliver on the expectations of a genre while moving that genre on, without writing something stale.

As always: SPOILERS ABOUND

Audio quotations used for educational purposes only. Timestamps indicated below. Chapter markers included in the mp3.

Thanks to Chris for editing this episode.

CHAPTERS

00:00:57 - Intro: Keeping Genre Fresh
00:03:10 - What is Genre?
00:16:30 - Get Out
00:45:10 - Promising Young Woman
01:25:08 - The Invisible Man
01:59:18 - Wrap Up
02:11:44 - Thanks to our Patreons!

LINKS

RELATED EPISODES

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Thanks to all our patrons, especially Jennifer, Leigh, Thomas, Garrett, Bjorn, Randy, Jesse, Sandra, Theis, Alex, and Khrob.

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DZ-87: Keeping Genre fresh

Draft Zero: a screenwriting podcast