Alessandro Gassmann discusses his career, family history, and views on cinema. He recounts changing his last name to honor his Jewish grandmother and reflects on his father's fame and strict parenting. Gassmann shares anecdotes about working with renowned directors like Ferzan Özpetek, recalling how he almost missed out on a role due to its homosexual undertones. He touches on his experience as a sex symbol, making the Max calendar, and his son Leo's musical career, emphasizing the importance of staying true to oneself. Gassmann also voices his concerns about climate change and his involvement in environmental initiatives, highlighting his belief in using his platform for social and political commentary.
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