It's easy to claim your comic as "Evil Dead for Blerds," but accomplishing the cheeky elevator pitch is far more complex. Writer J. Holtham and artist Michael Lee Harris grab their inspiration from the iconic Sam Raimi splatstick horror franchise but do so in service of an entirely different purpose. Motherfu*kin Monsters rages with a political fire, throwing their protagonist into a university setting shrouded with white faces. Their JJ eagerly wants to find his place within this system, while his family stands skeptical, waiting for it to reveal a devilish intent. Of course, JJ's kin thought metaphorically, not the literal ghouls that quickly hunger for their flesh.

Our conversation with J. Holtham and Michael Lee Harris begins with their love of Evil Dead, or Evil Dead II, more specifically. We start by exploring what the film does so well, for what reason, and why they were compelled to plant their mission atop it. Motherfu*kin Monsters is one helluva ride, filled with chills and thrills, but from page one, the comic also makes its anger known. J. Holtham and Michael Lee Harris, like all The Horizon Experiment stories, speak to the moment. Our hope is everyone reading is listening to what's on the page.

In addition, our discussion addresses the economic realities of comics-making and comics-shopping in 2024. The Horizon Experiment's pilot system still raises eyebrows in comic shops, but by embracing experimentation, the series removes one of the veils between creator and consumer. Honesty is the best policy, and we need to buy the comics we want to see in the world. It's cold, hard math...er, capitalism.

So, remember, Motherfu*kin Monsters arrives in stores on December 18th, courtesy of Image Comics. Continue the conversation with J. Holtham by following him on Instagram. Also, follow Michael Lee Harris on Instagram.

J Holtham and Michael Lee Harris on Motherfukin Monsters

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