First: the new era of censorship

A year ago, John Power notes, the UK was consumed by race riots precipitated by online rumours about the perpetrator of the Southport atrocity. This summer, there have been protests, but ‘something is different’. With the introduction of the Online Safety Act, ‘the government is exerting far greater control over what can and can’t be viewed online’. While the act ‘promises to protect minors from harmful material’, he argues that it is ‘the most sweeping attempt by any liberal democracy to bring the online world under the control of the state’.

Implemented and defended by the current Labour government, it is actually the result of legislation passed by the Conservatives in 2023 – which Labour did not support at the time, arguing it didn’t go far enough. So how much of a danger is the Act to free speech in Britain?

John joined the podcast to discuss further alongside former Conservative minister Steve Baker, MP from 2010-24, and who was one of the biggest critics of the bill within the Conservative Party at the time.

Next: should we be worried about protests against migrants?

This week, outside a hotel in Epping, groups amassed to protest against the migrants housed there, with counter-protestors appearing in turn. Tommy Robinson might not have appeared in the end, but the Spectator’s Max Jeffrey did, concluding that the protests were ultimately ‘anticlimactic’.

Nevertheless, the protests have sparked debate about the motivations of those speaking out against the migrants – are there legitimate concerns voiced by locals, or are the protests being manipulated by figures on the political fringes? And what do the protests tell us about community tensions in the UK? Max joined the podcast to discuss alongside the editor of Spiked Tom Slater.

And finally: why are ‘romantasy’ novels so popular?

Lara Brown writes in the magazine this week about the phenomenon of the genre ‘romantasy’, which mixes romance with fantasy. While ‘chick-lit’ is nothing new, Lara argues that this is ‘literature taken to its lowest form’, emblematic of the terminally online young people who consume it. Nevertheless, it is incredibly popular and is credited by publishers as boosting the British fiction industry to over £1 billion. To unpack the genre's popularity, Lara joined the podcast, alongside Sarah Maxwell, the founder of London’s first romance-only bookshop Saucy Books, based in Notting Hill.

Hosted by William Moore and Lara Prendergast.

Produced by Patrick Gibbons and Megan McElroy.

The Edition: Under CTRL, the Epping migrant protests & why is ‘romantasy’ so popular?

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