With today’s episode, we are continuing our discussion on proximity by focusing on another POV: third person omniscient. In omniscient POV, the narrator can see all and move into any character's head. It's sometimes seen as old fashioned, like Jane Austen. But writers like John Scalzi and Liza Palmer are using it to good effect as a way of exerting control over exactly what the audience sees in ways that are similar to a filmmaker. So why is it so hard to do well? And what does it allow the writer to do that no other voice does?

Homework: Describe a street scene where your main character is walking down the street. Move us through this scene through the perspective of 5-6 bystanders observing this happening. Focus on sensory details: what is everybody seeing/ smelling/ looking at? And how does this establish where your main character is in the scene?

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Credits: Your hosts for this episode were DongWon Song, Mary Robinette Kowal, Dan Wells, Howard Tayler, and Erin Roberts. Our guest was Chuck Tingle. It was produced by Emma Reynolds, recorded by Marshall Carr, Jr., and mastered by Alex Jackson.

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20.15: Third Person Omniscient

Writing Excuses